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Almost every year, I seek to capture the enchanting unfolding of night-blooming cereus flowers. Each giant blossom of these cactus vines blooms for just one night. The blooming season lasts a few weeks in the spring, though it seemed a bit longer this year – in fact, I just saw a bloom a couple of nights ago (in July!).

June 1 was a big night for the blossoms, so I set up a time-lapse with my GoPro to capture the blooming of three of these flowers. For the past couple of years, I’ve coaxed these vines to take hold on our oak tree after seeing an incredible picture of a tree in Orlando just dripping with the flowers. That’s a while off for our tree, but even a few of these blooms are gorgeous.

In the video, in addition to the time-lapse video, I show you some of the flowers growing on a palm tree in our yard, as well as a palm trunk in the neighborhood that is simply covered with blooms. Enjoy the magic!

On the last day of our 2023 chase in the Plains, Alethea Kontis and I headed back to New Mexico for one more try. We watched clouds bubble up from infancy to make pretty little storms west of Tatum before abandoning those for a severe storm near Portales. It was rotating but not serious about doing anything, and soon the storms started to merge.

 

We booked east into Texas, trying to stay ahead of them – and then to get a view as a large arcus cloud formed. It wasn’t a layered shelf cloud, but it was dramatic, filling the sky.

After photographing an eerie orange sunset under a bank of dark purple clouds, we dropped to I-10, where the intensifying storms laid down a barrage of lightning bolts. The timelapse video is pretty darn cool. From there, it was south to Fort Stockton, chasing lightning all the way, with a final stop at the town’s road runner statue. In all, it was an epic end to our voyage to Tornado Alley.

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Our chase season has been the domain of New Mexico, no doubt about it. And today we explored the arid southeast corner of the state and the adjacent area of Texas, which was a lot less arid as the day went on thanks to flooding.

We skipped from Kermit, Texas, up to Jal, New Mexico, watching developing clouds while knowing the better chance of a tornado was farther south. We just didn’t have the heart to chase in that territory and took our chances. And the storm we followed came pretty close. It had a rotating wall cloud as it crossed the highway, and then it enrobed itself in rain and hail and moved east into an area with no roads at all. So much for that.

 

So we repositioned east and filmed beautiful if linear storms and, eventually, a rainbow after driving through the flooded town of Seminole, Texas. Even on marginal days like this, it’s satisfying to see the sky at work.

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SpaceX launched a Falcon Heavy rocket from Kennedy Space Center at twilight on April 30, 2023, with the ViaSat 3 internet satellite and two other payloads. I went to Cocoa Village to try to get a shot. It was about a half hour after sunset, and I could have tried a streak shot but worried it wouldn’t be quite dark enough for the long exposure (and I didn’t have an appropriate neutral density filter).

Instead, I opted to bring out Big Bertha (the 200-500mm lens) with mixed results. Even when the photos are rough, images of these launches always have a touch of the spectacular with all the fire and color.

 

The GoPro timelapse (shot in nightlapse mode on a Hero 8) turned out nicely. Check out the video for 45 seconds of magic.

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Another day, another rocket launch from the Space Coast – only it’s never routine. Especially when you have a SpaceX Heavy launch, a beautiful twilight and the return of two boosters to Cape Canaveral Space Force Station.

Of course, someday I’d like to be super close to the booster return. I’ve seen a booster return from the Cape (and other places), but always with an obstructed view. That said, it’s pretty magical to see the separation from a little distance and witness all the mechanics of the return overhead and the boosters plummeting back to Earth. These moments really feel like science fiction.

 
So with all the wonder of this launch, with a Space Force payload, I’d say my photos are not technically great, but they’re interesting. The wide-angle shots are fine and caught the pretty light and arc of the contrail and “jellyfish.”

For the zoomed shots, I have a Nikon 200-500mm lens. I love it, for the most part, but it’s a challenge to focus on the fly because there isn’t just one infinity. (As my husband jokes, it’s to infinity and beyond.) So the trees far across the lagoon might be in focus, but the rocket as it lifts into the sky might be just a little “more” infinity. The lens is heavy, and while I sometimes use a tripod, handheld works better when you’re pointing up. Thus adjusting the focus to catch a zooming rocket poses an additional challenge. There’s also a haze factor at times, not to mention insane distances, but I think today my focus just wasn’t perfect.

Still, you can see the boosters separate and make their return burns in the photos, and yes, it’s still like science fiction. One of the coolest shots is a booster silhouetted, seemingly tiny, against the fiery orange of the contrail as the hardware hurtles back to Earth.

I ran two GoPros from my viewing spot in Cocoa Village, one in “Nightlapse” mode and the other in regular timelapse mode, trying to cover my bases as the light changed just after sunset. The videos were quite similar, only one was wider than the other. You can see both in the video.

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August 1 offered one of those local chases that would have been better if I’d been about an hour’s drive to my west. But we’d just had dinner in Cocoa Beach and watched the storms going up as twilight deepened into night, and I had a feeling if I attempted the drive, I’d never get into position.

So I opted for a wide view instead and got some pretty structure shots as the moon set behind the storms filling the western night sky. I filmed a GoPro “nightlapse” timelapse from Rockledge and shot photos, too. The video is pretty as the moon descends behind the flashing lightning storm and planes zoom around it, with sprinklers dancing in the foreground.

Our house got none of the rain. It’s the driest summer I can remember here on the east-central Florida coast. Memory is not a great scientific measurement, but let’s just say the plants are really unhappy. This summer doesn’t feel like subtropical Florida.

The show is almost over. The last few night-blooming cereus blossoms are maturing on our cactus vines, which climb a palm tree and our front porch. I’m also trying to start one in our live oak after seeing photos of a dazzling display in Orlando.

What am I talking about? The dinner-plate-size flowers that each bloom for just one night. Here in central Florida, they start blooming in May.

This year, as I do every year, I shot timelapse video of the flowers opening. Only this time, I included it in a three-minute documentary about the blooms. It pretty much says it all. These delicate dancers of the night live their best life when most creatures are asleep.

See the video above, or click on any of these images to start a slide show.

Pure dedication led us to chase a messy setup on May 12, 2022, looking for the needle in a haystack, or the tornado in the mess. This was one of those hindsight-is-20/20 days. If I could go back in time, I’d position myself ahead of the line that formed and kicked up the dramatic haboob that swept through Sioux Falls. Certainly the potential was there in the forecast – a line of strong storms was expected, accompanied by high winds, and it was so dry, a haboob like this was possible. But Alethea Kontis, Jason Persoff and I wanted to see if we could find a tornado.

We headed to Redfield, South Dakota, and had lunch at a great old diner set in an even older bank building — hence the pun on the Leo’s Good Food sign, which says, “Family Dining You Can ‘Bank On.'” The salad bar was set up in the old bank vault.

We had a hearty lunch interrupted by the eerie sound of the tornado siren — I mean the CREEPIEST tornado siren I’ve ever heard, and I’ve heard several. We checked our phones immediately, but as we thought, nothing was brewing yet, weatherwise. The other possibility was the fire department calling on its firefighters, and indeed, that’s why the siren sounded. But it gave us a weird feeling even as the locals kept eating like nothing was going on.

We said hello to several other storm chasers in the restaurant, then went to the south edge of town to watch the sky. We finally picked a storm amid the messy convection that went up, and it failed to do anything noteworthy. Though at least we got to say hi to Daniel Shaw on the side of the road, our only Dan sighting this season.

 

The next day, after breakfast with Jason, who headed home, Alethea and I visited Storybook Land and The Land of Oz in Aberdeen, South Dakota. This lovely attraction was not yet fully open for the season, but its outdoor features were, and it was full of groups of screaming children having fun.

I happily walked the yellow brick road and shot cool timelapses of the clouds before we headed west. (The video is transporting.)

We shopped for junque at Wall Drug — my first visit to this mega-emporium — then drove through Badlands National Park at sunset. And it was spectacular. Finally I understand what everyone is talking about. We hoped for a popup storm but didn’t get one. I need to go back.

 

We spent that night in Rapid City so we could get the car checked out the next day. The CR-V threw a bunch of warnings at us related to the cruise control and accident avoidance systems, or Honda Sensing, as it’s called. My theory was that the car freaked out in the extremely high winds on this otherwise fair-weather day, but I wanted to get it checked out even though the warnings eventually went away. It’s always something when you’re piling thousands of miles on the car during a storm chase.

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All of a sudden I’m caught in a whirlwind of preparations for storm chasing and probably leaving much earlier than I’d thought. Alethea Kontis and I will discuss our options and may be hitting the road later this week.

Work obligations have prevented me from leaving Florida so far this year. It’s always hard to miss big events like the mind-blowing Andover, Kansas, tornado, but that’s the way it works when you don’t live in Tornado Alley and can’t chase every day. And the thing a lot of people don’t understand about storm chasing is that even if you ARE out on a particular day, there’s an excellent chance you won’t see the “storm of the day.” There are a million variables, and luck plays as much of a role as skill.

Believe me, I could fill a book with missed opportunities and bad choices. Sometimes even when you think you’ve made a great choice, ten minutes later you see someone else’s video of the same tornado and want to cry because you weren’t in the same position. The healthiest thing to do is not worry so much about it … but we can’t help a little comparisonitis.

Anyway, I’m testing and preparing gear and sorting out equipment that hasn’t been used for some time. I’m also testing the only new purchase I allowed myself for this year’s chase – a GoPro Hero 10. This video is a timelapse filmed in “night lapse” mode with the Hero 10. I had a lot of luck with beautiful lightning night lapses like the one in this video, filmed on a Hero 8, during last year’s storm chase. I also expect to use this as a dash cam.

For now, here’s the video of night falling at Port Canaveral, Florida, with swirling clouds and the colorful lights of Exploration Tower, seen reflected in the water. I had to do a little processing to minimize noise in the image. Partly I think the noise is a product of me shooting at a more zoomed-in “narrow” view because I was shooting through a deck railing and even had to crop the video a bit in the edit. My experience with GoPros is that shooting wide and cropping in later (if necessary) produces a higher-quality image. But I still think this is a very pretty and meditative little video.

See you on the road soon!

A beautiful “mackerel sky” greeted us here on Florida’s Space Coast this afternoon. Like the scales of a fish, these altocumulus clouds create a fluffy pattern across the blue.

I set up the GoPro to film a short timelapse of these clouds as they moved across the sky, right up until sunset.