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It’s been months since I photographed a rocket launch, even though we’ve had a lot of them here on the Space Coast. I’ve been busy working and also writing books (under my pen name). There’s only so much time in the day … or the year. Which is almost over. But I couldn’t resist checking out the SpaceX Heavy launch and booster return on a beautiful evening … followed by another SpaceX launch, a Falcon 9 carrying more Starlink satellites.

My framing was a bit off for the Heavy launch, meaning the returning boosters can be seen just at the right edge of the composite image. Both images were shot on the edge of the Indian River Lagoon in Rockledge in slightly different locations. I wanted to include the pretty boat lit up for the holidays. The only disappointment is that from this angle, I couldn’t get the moon in the launch shot with my 12-24mm lens.

I’m competitive. I try not to be. I know this society is all about WINNING ALL THE TIME. And I want to win and get approval and all of those things. But I don’t like my competitive tendencies all that much. They lead to comparison-itis, which plays a lot into my writing career. Not so much my photography, because I know I don’t always have the opportunities other photographers have. I try to make things work where I am.

I did have a great opportunity Monday evening, but time and logistics screwed me over. We had passes to be at the Cape Canaveral lighthouse for the SpaceX Falcon 9 rocket launch and booster return. I spent hours getting my cameras ready and plotting where I would shoot.

We’d had a difficult time getting to the site (thanks to blocked roads) the last time we went to the lighthouse, so this time, I figured we’d take the “main” road we exited on last time. We traveled through the base and down this long road only to find it was blocked with no obvious, quick way around to our destination. Which we found out uncomfortably close to launch time. There was no way to figure out the right route there by then – Cape Canaveral Space Force Station is a sprawling campus webbed with pitch-black roads through wild areas that wind hither and yon – so we had to settle for a shot from the causeway.

 
This last-minute change meant I not only couldn’t get the shots I wanted, but I didn’t have time to set up all my cameras or properly set up what I had. The photos didn’t turn out the way I wanted. I was using a different camera for the long-lens shot than I usually do. It’s heavy with the 200-500mm lens and hard to handle anyway. I fumbled with the settings, messing up some shots and, in the process, somehow turning the quality setting from JPG Fine + RAW to just Fine as the rocket was in flight, limiting my editing options later. The streak shot on the other camera went out of frame, a less than desirable outcome. Basically, it was a photographic disaster.

Symbolic of this fiasco is the exposure after the streak shot; I accidentally hit the shutter again and got a crazy zigzag light show as I repositioned (the image you see in the blog list). Eh, maybe it’s art.

These photos aren’t awful. But they aren’t what I envisioned. And I saw another shot from the lighthouse that night – not the one I’d planned out, but still, it reminded me of the opportunity I missed. There was a painful lesson in this: Figure out the blocked roads ahead of time and allow an extra hour to get there and set up. Even if the launch is in the middle of the night. Or especially if it is.

Time is a photographer’s friend. You don’t always have that luxury; storm chasing is a prime example. It’s very much a run-and-gun situation. But when you can take extra time to set up, it’s always worthwhile.

You can roll over a photo to see the caption or click on one to start a slide show.

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In a year when my spring storm chase with Alethea Kontis didn’t yield all that many storms – mostly because of bad timing and an uncooperative May – I’m grateful for what I did see in 2022, including spectacular space launches and, yes, dramatic skies.

I’m still limiting travel thanks to the pandemic, not to mention other obligations (work, writing books, and so on), and I have a lot of FOMO. I hope to see more of the world in 2023. But even when I can’t travel, there are many wonders to be had in my own backyard (to misquote Dorothy when she returned to Kansas).

When I looked back at my photography from this year, I didn’t obsess too much about what photos were the “best of 2023.” These are more like the most memorable captures for me. But I’m still very pleased with how some of them turned out.

This year, Stolen Butter gallery began offering some of my photographs for sale. A few of these images can be found there. Look for more soon.

With that, here’s a collection of twenty-five photos that meant something to me in 2022. I hope 2023 will be even more beautiful.

Roll over a photo to see its caption, or click on any one to start a slide show.

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Every launch is a little different, even when you see them from the same place over and over. We got to treat visiting friends to a SpaceX launch from a prime viewing spot at Cape Canaveral Space Force Station on December 8, and it was still fresh and uniquely challenging for me as I tried to take photos.

The trajectory for the rocket, carrying OneWeb broadband internet satellites, almost took it overhead. With the sunset light and the clear evening, the booster separation was beautifully clear. And the booster was highly visible as it returned to Earth.

As a bonus, the sonic boom from the returning booster provided a visceral thrill – as well as a humorous surprise for our guests.

The short version: It never gets old.

One funny note about the timelapse video, to which I’ve added some of the photos I shot … you may glimpse a bunch of little dots flying around. These are mosquitoes, whose bloodthirsty squadrons have been plaguing us for weeks in spite of a spate of dry weather. Ah, Florida in December.

Roll over any image to see a caption, or click on one to start a slide show.

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I don’t have much to say except WOW! But I guess I should tell the story behind this unusual photo (below) of the launch of Artemis in the wee hours of November 16 from Kennedy Space Center.

We weren’t able to get passes for this launch, so we weren’t anywhere close to the launch site at Kennedy Space Center. For a previous attempt, we had a chance to see it from a friend’s high-rise condo in Cocoa, but I didn’t want to bug them at 1 a.m. or so. So, sleepy as we were, we decided to stick close to home.

After technical delays, the “go” for launch kind of caught us by surprise. All of a sudden we had ten minutes to leave the house and get into position for a launch. And my husband was still in his jammies.

He got himself sorted with me nagging him, and I drove us down to the riverside – technically, the Indian River Lagoon here in east-central Florida – and the Rockledge city dock. Given it was almost 2 a.m. now, I was kind of surprised to see it full of people.

I’ve always wanted to get that dock in a launch photo, and now seemed like an excellent time. But I had literally just a few minutes to set up. The moon was out, and of course, that had to be in my photo. After all, this rocket would be looping around the moon in preparation for future human spaceflights. And I thought the trees might make a fascinating foreground, IF it worked out. It’s kind of the opposite of what you usually want or seek in a time-exposure launch photo – a nice, clear view of the streak.

I enjoy finding interesting foregrounds. In this case, the foreground tells a lot of the story and evokes our town, our Space Coast. And the launch is still dazzling as the light streaks through the sky.

This was a very bright rocket. The rumble, which we’d expected to be thunderous, wasn’t all that. But the brilliant lighting provided by Artemis made this photo glow.

Click on the image to see a larger version.

Life’s been busy, so I haven’t posted all the rocket launches I’ve shot lately from Florida’s Space Coast. And there have been a lot. While one was a United Launch Alliance jaunt, the rest were SpaceX.

The gallery below includes photos from a handful of launches, including today’s SpaceX Falcon Heavy with Space Force payloads. In other words, secret defense stuff.

Well, the launch was so secret, even the weather got involved. Even though we were lucky enough to get passes for the ITL (or Integrate-Transfer-Launch) causeway in the northern part of Cape Canaveral Space Force Station, dense fog obscured almost everything, including lift-off.

The double booster landing wasn’t so clear either, at least from where we were. I’d love to get in a better position to shoot the boosters returning. The spectacle is so sci-fi. The sonic booms were viscerally entertaining, however, and I got a few nice shots of the rocket in its ascent.

The video focuses on recent SpaceX launches including today’s Heavy.

Click on any image below to start a slide show; roll over them to see captions.

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The first Cape Canaveral Lighthouse began operation in 1849. The cast-iron version that replaced it began working in 1868. It was moved over a mile inland in the 1890s to keep it safe from erosion. The original Fresnel lens has been removed because launches were literally shaking the glass pieces out of their framework, and the light no longer rotates — or it didn’t when we were there. It just blinks.

Still, the lighthouse makes a dramatic foreground for a launch photo. I can’t help but contrast ships from centuries past with today’s spacecraft, like the SpaceX Falcon 9 that launched on Saturday, September 10. (You can read more about the lighthouse’s history and how to visit it here.)

 
I’d never had a chance to shoot a launch from here before, though I’d always wanted to. We sometimes get access to a car pass, and we had the rare opportunity to get a ticket for this site. The weather was iffy for a while after tremendous rainstorms in the afternoon. Clouds and showers lingered and showed a reluctance to clear out.

Pad 39A is north of the lighthouse, and I could only hope I’d lined up my shot so the rocket wouldn’t lift off behind the tower — and that we’d see more than the first few seconds. A bit of glow in the clouds and some reckoning with a map app helped. I wanted the lighthouse to be framed by the arc of the streak.

As the rocket lifted off, it became clear that the northeastward trajectory meant the rocket wouldn’t lift high enough (visually, anyway) to rise above the lighthouse. For a second I hoped it might pass right behind the light at the top, but still, it made for a very pretty scene. I cropped the vertical shot into a square one.

I shot the launch with a second camera using my 10mm fisheye lens (below). I like this, too, because the lightkeeper’s cottage (a replica) is visible at left. And the GoPro timelapse video is a fun little glimpse of the lift-off after the moonrise, which was almost directly behind us. The clouds and rain thinned out just enough to make this photo opportunity work.

The rocket carried more Starlink internet satellites and the new (and alarmingly large) BlueWalker 3 communications array, which will soon show up in our photos, no doubt.

I believe I am not the only one: Photographers spend a lot of time thinking about what they could’ve done better. Storm chasing is much the same way. If I had access to a time machine, there are several tornado events I’d like to revisit, reshoot and re-experience. Of course, it helps when you know where things will happen and when.

Last night, or should I say early this morning, I had one of those moments when shooting a SpaceX Falcon 9 launch of a Globalstar satellite.

Rocket launches are challenging. Pads change. Rockets change. Trajectories change. And even if you’re using an app or dead reckoning or whatever, it’s sometimes hard to predict exactly where the rocket will appear in your photo. I’m so impressed by the photographers who do the math and get a rocket crossing the moon. I’m just trying to figure out where it’s going to leave the horizon and how the arc of a time exposure at night will frame objects in the foreground.

I set up at Port Canaveral by Exploration Tower. My GoPro timelapse would include the tower; I planned for my still image, shot with a Nikon D500, not to include it. But I knew the industrial towers across the water might be a problem; the rocket would go up around there, and one of the towers might block the horizon where it lifted off. And that’s exactly what happened. I should’ve stayed in position to get the reflection I wanted, but at the last moment I dashed away a few feet to shoot the still image and basically didn’t get anything I wanted. Sigh. That said, here’s the image so you can judge for yourself.

Complicating matters, a lightning storm in the distance taunted me, but without two different exposures and compositing the images, I didn’t see a great way to get the launch and the lightning in my photo. I did get a couple of stills with just the storm, soft and dim over the port’s bright lights.

The video, on the other hand, is pretty darn cool. The lightning storm offshore to the north strobes as the port’s lights flicker and change color. Suddenly, with a brilliant burst of light, the rocket launches upward, sets the clouds aglow, then arcs as it continues toward orbit. The whole video is less than a minute. I love all the color and light.

And I’m already considering how to frame the next one.

When I go out to shoot a launch, I really should take everything – all the lenses. All the cameras. But sometimes, I like to travel light, even if I’m just going around the block from where I live. So today – January 31, 2022 – I took one camera with a wide-angle lens and a GoPro to shoot a SpaceX rocket launch.

The launch wasn’t very close, given I shot it from Rockledge, Florida, along the banks of the Indian River Lagoon. But today, the wide shot was pretty. The purples of twilight, with cirrus clouds catching the pink of the setting sun, offered a lovely backdrop for the launch of a Falcon 9 rocket with an Italian radar satellite.

I had a moment of regret that I didn’t have my super-big lens when the booster turned around and headed back home as the payload continued on its way. At a different time of day (or night), this “jellyfish” might have been even brighter, but it was still impressive. In my shots, it’s just a small part of the whole, but you can see the bright heat of the engines as white dots.

Nights like this make me feel like I’m living in a science-fiction movie with a spaceport just down the road. And with the number of launches scheduled for this year, we’ll be seeing a lot more sights like this one, I hope.

Several seconds after the rocket booster returned and landed at Cape Canaveral, we were rewarded with the sonic boom. They’re always satisfying, somehow – and it’s a fun moment in the video.

It was a beautiful night for a rocket launch this evening in Cocoa, Florida, where I set up a Nikon and a GoPro to capture the launch of a SpaceX Falcon 9 rocket. This was a special mission – Inspiration4, the first private human spaceflight mission to orbit. Commissioned by Shift4 Payments CEO Jared Isaacman, it aims to raise awareness for the St. Jude’s Children’s Research Hospital in Memphis. And also, no doubt, to mount a landmark adventure.

The rocket lifted off from Cape Canaveral at 8:02 p.m. EDT. A few clouds made the launch even more beautiful as the rocket lit them during its ascent, and then the sun caught the vehicle and its contrail, creating the “jellyfish” effect one often sees just after sunset or just before dawn. The SpaceX launches are always visually interesting at night for their colorful effects during the journey, especially when captured with a zoom lens, as in this post.

Tonight, I used purely a wide angle lens on the Nikon D7100, my trusty 12-24mm, and I stacked a handful of images to create the still photo. I probably could’ve gotten a cool image just by leaving the shutter open, but I wanted to try it this way. I set the GoPro to shoot in “nightlapse” mode to produce the video.